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1. On this recording I used solely the Double-Sine wave from the Rubicon, at a fairly high pitch, and then used the SUB output to FM the SVVCF in Highpass mode.
2. Gradually I increase the FM amount, and also tweak the Resonance.
3. It's amazing how much it sounds like i've actually added another waveform into the filter's audio input, when in reality it's merely the effect of the cutoff being modulated, bringing in lower frequencies.
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