For this demo I wanted to experiment with modulating the Notch mode, taking the two Notch outputs to opposing sides of the stereo spectrum. The aim was to produce a pleasingly swirly sound which swept from side to side. Said desire was fully sated! PHATNESS was achieved :)
Patch Details
1. Three outputs from the Rubicon were mixed in a Manhattan Analog Mixer, and then multed to both inputs of the Sara VCF
2. A combination of cycling envelopes from Maths were sent into both Freq CV inputs on the Sara. There was various cross-modulation going on within Maths, to produce some erratic shapes and rhythms.
3. The two Notch outputs from Sara were used, with each panned to opposing sides of the stereo spectrum
4. Various controls were manipulated during the recording: Sara's resonance and cutoff; the modulation intensity and frequency coming from Maths
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