This is the same basic patch as the previous one, but this time focusing on the Highpass mode. There were some slight alterations to the patch, and also we are using a slower sequence - in order to better hear the effect of the cutoff sweeping up and down. The Highpass mode - as with all the modes - is extremely precise and clear…but also very musical at the same time. You can hear just how little bleed there is right at the end, where the cutoff is taken particularly high.
Patch Details:
1. The Sara's Highpass output was used this time, and some oscillator Sync was applied to the highest of the 3 AJH Minimod oscillators
2. As with the previous track, the cutoff and resonance on the Sara were tweaked, as were the various levels of the sequence and envelopes feeding its Frequency CV input.
No effects or EQ used. Some minor automation applied to reign in level changes.
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