This demo is a basic picture of the SARA in its Lowpass mode, showing off just how powerful and clear it sounds in a traditional role. Does it have any "Ooomph"? - err, "Yes!"
Patch Details:
1. 3 VCOs from AJH Minimod > Manhattan Analog Mixer, then into DinSync Sara VCF
2. Lowpass mode was used
3. 1v/oct sequence was multed to all oscs and also to a second mixer, where it was mixed with a snappy ADSR from the WMD / SSF ADSRVCA, and fed into the Freq CV input of the filter.
4. Initially a simple cutoff sweep was recorded, followed by modulation from various combinations of ADSR and the main sequence.
5. Towards the end the combination of filter settings and envelope modulation produced some nice, solid kicks and thuds.
6. Resonance and cutoff was tweaked, as were the modulation depths.
No effects or EQ used. Some minor automation applied to rein in level changes.
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