Each recording contains 4 bars fully WET, followed by 4 bars DRY, followed by 4 bars which are a MIX of the two..and finally 4 bars of DRY again for reference.
The first recording utilizes very fast attack and release times to crush the drums. Mixing this with the DRY signal brings up the perceived "body" of the drums, but preserves the natural sound of the DRY signal.
The second recording focuses on bringing out the attack of the drums without changing the overall sound of the DRY signal. The WET signal is virtually ALL attack, achieved by higher attack settings and extremely high compression RATIO/ low threshold.
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