On this recording Maths was set to cycle at audio rates, and its cycle length was modulated by the same sequence that it producing the main riff. Maths' envelope output was then used to produce AM (amplitude Modulation) on the WMD Compressor, via its MAKEUP GAIN CV input.
The MIX control was used to gradually fade from the DRY signal to the processed one. Finally the output of Maths' envelope was gradually increased to drive the WMD even more.
Settings: The DETECTION switch is set to ADAPTIVE, and the KNEE set to HARD. OUTPUT SATURATION is on.
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